Blog


My new art photo series

My new art photo series


Posted By on Aug 25, 2016

Recently, I have finished my new-old art photo series. New because of I realized just about two weeks ago how exactly I should edit them to express those my emotions. And old because of they were lying for almost six years passing survived downright adventure. All this I have described in some details on the photo series page here: “The Beech Palace“. So if you interested you’re welcome! And if not – the more!...

Read More
Another few words about interior photography

Another few words about interior photography


Posted By on May 18, 2016

After I finished the previous article (“A few words about interior photography“) and during my work with another order, I had a few more thoughts. Besides, I got the feedback on previous article. As a result, I decided to write some sort of addition with more detailed explanations and examples of good and bad interior photographs (according to readers wishes). First of all, I have to say that interior photography isn’t such an easy thing as many people think, including some professionals in other photography spheres (wedding pro, for instance). I do not mean that wedding photography is easier than interior one. Furthermore, I think that any activity performed at a high professional level is complicated itself and demands not only rich experience and different (often very expensive) tools, but also high working capacity, dedication and even intelligence. I just want to say that each field of applied photography has its own peculiarities and subtleties. And if you don’t know them, you won’t get the good result. For example, the wedding photographer automatically takes his flash when he comes into a room. But that’s good only for wedding shots. For interior photography, it’s a real evil and unprofessionalism (clarification: I mean the on-camera flashes, not the impulse light sources with diffusers and other caps). Why I think this way? Because in wedding photography, the people, and their relationships, and emotions are the objects. We can see them during just a moment. After a second, anything changes and we cannot restore the lost moment. And interiors, even the most beautiful ones, are just a background. So, we have to use a flash. In interior photography, on-camera flash is contraindicated, because firstly, it damages the light pattern and balance which were conceived by a designer to emphasize some room’s advantages and interior details. Second, flash will never give the equal amount of light for the all room: objects in front will be overexposed and, in distance, opposite – underexposed. Third, the flash always gives sharp, almost black shadows. Fourth, it makes too bright glares on glass and polished surfaces that are disadvantages too. Finally, fifth, the flash often spoils the colors of close objects and even, if the object is curtain, for instance, shines it through destroying the tissue density on the photo. Thus, there’s the opposite approach in the interior photography: even in the dark room, they don’t use a flash, and do use the long shutter speed (sometimes, more than 20 seconds) and it demands the tripod. I told enough about falling verticals in previous article. The only thing I can add is that the wedding photographer may not...

Read More