Any real professional, a self-respecting specialist no matter his field of activity besides continuous developing, increasing of qualification, from time to time, takes a look back on his previous works. That’s the easiest and simultaneously the most visual way to estimate a self-progress, to inspect a direction of moving. So and I do it periodically. Another such verification wondered me a lot. The case is that I occasionally found the photo from my very first interior photo shooting which was 3.5 years ago. And since I just a couple of days ago shot a similar plot − a kitchen with its main object, a table − so the comparison appeared maximally objective. Here’s my first interior photo: And that’s my most recent one: Frankly, I’m proud of my progress! 🙂 P.S.: Follow me on Instagram –...
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Recently, I have passing by the Stroganov Palace which is on the Nevsky Prospekt in Saint-Petersburg, Russia. Just three years ago, I photographed facades and interiors of several State Russian Museum’s branches including the mentioned palace. At that moment, I’ve noticed that my photos of this palace’s interiors are in its showcases. Of course, not as just printed photographs but as advertising posters which show the beauty of the palace’s halls. Nevertheless, at least 90% of the poster’s square is exactly my photos! So, if you passing by, take notice! And don’t pass away, come in, this museum is worth of visit! P.S.: Follow me on Instagram –...
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When I was a kid, our family every year went to the village by train. It was still at the end of the Soviet Union. I don’t know why but I always loved to go somewhere already then especially in the case of a railroad trip. I eagerly absorbed the impressions: railway terminal with its bustling, a platform with its locomotive smells, changing of landscapes behind the window, hot tea with a shortcake… When we settled in our seats, I looked forward to the train moving off. I was overwhelmed with a sense of promising “unknown” − for some reason it seemed to me that something exciting and remarkable is ahead. When a conductor brought a hot tea in a faceted glass with a tin or steel glass-holder it was a whole task: to drink a tea with pleasure but simultaneously don’t get burnt and don’t pour with boiling water sitting in a swaying wagon. I remember very well how I burned my palms by these glass-holders! Recently, my mom showed me one such glass-holder. Not the new copy but the original Soviet one. And I got the idea to take a photograph of this item, moreover, it turned out a bit more interesting than the ones that came across to me in the trains. It has a volumetric drawing of the Kremlin. At the same time, I practiced once again in advanced product photography! 🙂 P.S.: Follow me on Instagram –...
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Some time ago, I finished a tutorial by one of the product photography masters, a student of famous Igor Sakharov. Just like in any studying, in photography, all the theoretical knowledge should obligatorily be consolidated in practice. Otherwise, all the learning time would be spent in vain. And I decided to start my practical training from my old familiar – jezveler which I photographed for the first time almost four years ago in order to pass the Shutterstock exam. Here’s that photo: And here’s the result I got using new way mentioned above: Agree, the difference is significant! My cousin seeing these images even didn’t believe that this is the same object on both photographs. 🙂 I should say that this method of photo shooting is much more complex, time and labor-consuming. I even decided to capture the process by my smartphone: One of my mates seeing this photo said: “You’ll soon need to buy a van to bring it all!” 🙂 Nevertheless, the most important thing for me is that the result is much better as well. So, now I can say that I shifted my product photography skills up to the next level! P.S.: Follow me on Instagram –...
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I am periodically asked how much differs a raw file from my camera from the final image I send to a customer? And how much time I spend on post-processing? (The second question often appears when an interested person knows with wonder that shooting itself isn’t even a half of an interior photographer’s work.) First of all, I’ll reply to the second question: about 60-70% of the total time spent. Why so? There are many reasons. One of them is the task to show the light drawing of interior truly as much as possible simultaneously not sacrificing the beauty of colors especially in cases when the daylight from windows is mixed up with the lights of different artificial light sources such as tungsten or fluorescent lamps, LED-lights of different color temperature and so on. And as an illustration, the photo below which is straight out of the camera, without any processing: Well, what turns out after the thoughtful and laborious processing of the photo? That’s what: P.S.: Follow me on Instagram –...
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